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Across the city and into your Room

by MA

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  • MA's critically acclaimed debut album.

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1.
Today I could fall in love with everyone I meet But he’s standing here before me I’m head over heels Not before, not now, but somehow You know how this feels All possibilities coming together My imagination’s running away with me I don’t care I ache with a smile as wide as the sea There are words that could tell this story All that’s old is new Not before, but now, somehow You know it is true So sensual Sweet like a wave as it curls at the tip like a fern Sweet like a wave as it curls at the tip As it curls at the tip like a fern. © MA 2007
2.
An empty road The curve of the river As the body unlatches Release her. Air pressure-sky is black with thunderclap Feet leave the pedals and muscles contract. Starting to roll, starting to sway and creak Hip scattering like glass on the concrete. In the middle of the road, succumbing This sensation is building, hips moving We’re almost there. No time, neither fast nor slow. She wants release - floodgates open. The ground becomes a stream. Almost unbearable, this vibration Serotonin flowing down, opening We’re almost there The body goes into a kind of shock Shaking gently, sailing, and rolls to a stop. © MA 2007
3.
I don't wanna feel like this anymore I don't wanna feel so bad And it's not right that you should leave me With so much love in my heart. I have to pick myself and go on. I don't wanna feel like this anymore I'm tired of the ache and the broken heart And it's not right and it's not ok and it's not ok It's not ok. So you want me to love again You want me to move on You want it to be alright but I'll have you know I don't wanna feel like this anymore.
4.
One by one The clouds have gone away And all I need to think about is What to wear today It's a cool and bright day I might wear a light summer dress (The one with the fallen hem) And I can see from my bed My room is a mess But it’s not going anywhere I just have to dress For the cool and bright day I might take a walk by myself In the nice warm sunshine Every day it's something else Every minute something else Every second something else Something else, something It's a cool and bright day I might take a walk in the park By myself, by myself Cause it's a cool and bright day I might take a walk by myself One by one The clouds have gone away And all I need to think about is Today.
5.
I know I’m ungrateful. Ungracious. I could always spend my life elsewhere A metallic taste in my mouth And a smouldering ache in my chest Spreading through the lobes of my brain Like a disease Flooding my system with the message It’s time to leave Between deep, deep water And tall, tall buildings Homes are on fire. Ignorance is bliss I’m married to my cigarettes, And I don’t pay my bills on time. Spreading through the lobes of my brain Like a disease Flooding my system with the message It’s time to leave After the second or third Gin and tonic Some things are better left unsaid Some things are better left alone Sitting forgotten like Japanese bones
6.
I am romantic But I’ve still got the ring of sugar around my lips From the last time And once I taste the acid My stomach makes a jump for it And so I must decline Pathetic, self-possessed and rude My good intentions are misconstrued I could get lost in your kiss But my face is white and cold I’m not ready for this… I don’t think I’m in a good place for you right now I’ve been here before And braced myself for the sky to open And the world to end Run for cover I can’t get involved with such a good person You’ve come to close She screams “Off with his head! Off with his head!” See, this is how it always ends I don’t think I’m in a good place for you right now I don’t think I’m a good thing for you right now
7.
My heart song Can you hear it? My heart song I can barely contain it, Words elude me, Confuse me, And let me down But the music comes Lonesome lullaby (sails by the moon) Across a king tide of concrete (deliver my heart true) Calling in, calling out (to the one that I love Calling in, calling out (to the one that I love) My heart song Can you hear it? My heart song I can barely contain it, Words elude me, Confuse me, And let me down But the music comes Not conscious of the gravity of my heart song Sending out a sonar message Across the city into your room You’ll know my heart by this song My heart longs for you You’ll know my heart by this song My heart song My heart song Can you feel it? My heart song I can barely contain it, Just me, the moon and the city Humming along
8.
You don’t know me But I’ve heard who you are Scarlett O’Hara Blanche DuBois On my grandmother’s side A sadness A miscarriage A wreck of a marriage And madness The women in my family have big hands The women in my family always had big plans Drinking and fucking Dulls the pain In the park All night in the rain He turned a blind eye Violence A passion A grief unimagined And silence The women in my family have big dreams The women in my family have never ever come clean Standing in the kitchen at King’s Ave She said, “You don’t know who you are You think you do But you don’t know who you are You can’t You haven’t lived You’ve barely begun to live” At fifteen she told me “Girl, you don’t know who you are You think you do But you don’t know who you are You can’t You haven’t lived You’ve barely begun to live” And I was sure that I could tell her something I knew it all At least I thought I did.
9.
Breathing 03:11
There’s nothing like breathing in the air at midnight But it’s the hours that will cut you down in the end Down to size, down to sleep, down to sleep There’s nothing like tomorrow There’s nothing like today There’s nothing like this moment Yet I forget this every day The years slip by so carelessly like pay cheques Feel like we’re living in a B-grade matinee Playing the fool, playing it cool, playing a part Trying to learn it off by heart There’s nothing like tomorrow There’s nothing like today There’s nothing like this moment Yet I forget this every day I forget this everyday
10.
It’s a small word And overused But bigger Than any other word It is everywhere It is everything It is the atom The molecule The gene that says yes The Infinite Forever Forever Waiting It is everywhere It is everything It is the atom The molecule The cell that says yes The Infinite Forever Forever Waiting

about

Time Out Sydney
5/6 stars

MA (pronounced mah) is Sydney-based duo Drew Crawford and Victoria White, who have crafted a highly textured, lush album drawing on Crawford’s work on scores for major Australian theatre companies. His classical training shines through to create a subtle, delicate and original listen, complemented by sublime vocals from White, both heartfelt and raucous. A perfect CD to play on a lazy Sunday morning. Nicely assisted by the Australia Council for the Arts.


Sydney Morning Herald
4/5 stars

A chilled out debut from this Australian duo, fusing composer Drew Crawford’s experimental pop sounds with the delectable voice of Victoria White. To say she sounds like Bjork would be a lazy comparison. To say she sounds like a lazy Bjork would be pretty accurate. That’s not a criticism: the fragile beauty of White’s vocals remain a tease without strangling the songs, preferring to let the warm beats slide around underneath. Orchestral moments are beautifully arranged on an album dripping with relaxed melody.

Smarthouse
4.5/5 stars

The debut album from Sydney-based MA is a soulful blend of classy electro-acoustic grooves that channels the sweet-raw-layered beats of Portishead. We listen in…MA is vocalist Victoria White and composer / programmer / editor / arranger Drew Crawford. Weaving together a range of string, drum, sax and guitar samples with Victoria’s pure vocals, the album takes you on a journey through playful pop, whimsical narrative, internal refl ection and the melancholy. When we fi rst listened to the tracks, we couldn’t help but be reminded of Beth Gibbons’ sweet-yet-serious vocals on top of the sampled backing in Portishead’s classic album: Dummy. White’s vocals have that beautiful quality of a real mix of purity and power, and she is well matched with the atmospheric, textured, electro-acoustic arrangements of Crawford. We loved the down-tempo honesty of this album; this is dimly-lit room, martini-in-hand sounds at their best. Sink back into your seat and enjoy

credits

released September 30, 2007

All tracks written and produced by MA © 2007 Copyright Control
MA is Drew Crawford and Victoria White
All vocals by Victoria White.
All programming, editing and arrangements by Drew Crawford.
Recorded and mixed at Big Jesus Burger Studios by Chris Townend. Extra bits recorded at Drew’s place. Mastered by William Bowden at King Willy Sound.

Jim Denley – saxophone and flute samples (1, 3, 4, 5. 6, 7, 8, 10)
Simon Barker – drum kit and percussion samples (2, 5, 6, 7, 8, 10)
Chris Cobb – drum kit samples (2, 3, 4, 6, 7, 8, 9)
Steve Elphick – doublebass samples (4, 6, 8, 10)
Michele Morgan – vocal samples (4, 7, 8, 10)
Milica Stefanovic – bass guitar (1, 2, 7, 9, 10)
Cameron Bruce – Fender Rhodes (2)
Martin Kay – saxophone (9)
Michael Henry – acoustic guitar (9)
String session fixed and conducted by Kellie Dickerson. Veronique Serret and Glenn Murray – violin; Rudi Crivici – viola; Sally Schinckel-Brown – cello. (2, 3, 6 & 7)

Cover illustration and design by Laurent Sanguinetti

This project was made possible through the generous support and sponsorship the Federal Government through the Australia Council for the Arts.

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MA Sydney, Australia

MA is singer Victoria White & composer Drew Crawford, a Sydney pop duo once described as "Bjork meets Hall & Oates". They’ve been writing songs together since 2000, forming MA in 2005.

Victoria’s voice is her signature whilst Drew’s music is timeless and beautifully crafted. Together they make you believe in pop all over again - it's music that loves you back!
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